A hogback in Bidston

 

A hogback in Bidston

A Viking Age stone carving, believed to be a hogback, was discovered in Bidston in 1994 and is the smallest known example of this type of stone monument. It was found in a rockery in a garden in School Lane, Bidston and was subsequently recognised as of pre-Norman date by landscape archaeologist Jenny Whalley. Stylistically it can be dated to the tenth century. The house had been the vicarage for the nearby St Oswald’s church from 1936 to 1986.

The stone probably originally came from St Oswald’s churchyard. The earliest documentary record of the church dates to the late thirteenth century, although the present building is mainly work of a restoration of 1855-6. The circular shape of the grounds at St Oswald’s suggests that this may have been the site of an early medieval church before Vikings arrived. The original parish stretched across much of the north end of the Wirral from the edge of West Kirby to the Mersey, including Bidston, Moreton, Saughall Massie, Claughton and Birkenhead. Pre-Conquest occupation has been recorded at Moreton.

The base of the stone is 47cm and the height at the centre is 26cm. A report by the National Museums, Liverpool confirmed that the sandstone used for the sculpture was likely to have been quarried locally. Like most other pre-Norman monuments, the Bidston carving was probably produced in the immediate vicinity.

Face A

Two open-jawed beasts with raised paws face each other. Both beasts have an upper tooth. The beast on the left has a single almond-shaped eye and an extended ear. The seemingly hole-like ‘eye’ on this right-hand beast is possibly caused by the loss of a quartz pebble or similar. An interlace pattern emerges from the tongue of the animal on the right and returns to join its lower jaw. To the beast on the right the paw ends in four toes and to the left in three. The lower part of the stone has three inter-linked triquetra (triangular figures composed of three interlaced arcs). It would appear that part of the lower section has been lost.

Face A Photo: Ross Trench-Jellicoe, copyright of Anglo-Saxon Stone Sculpture.

 

 

Face B

There are possible traces of a narrow vertical panel with arched head containing knotwork.


Face C

The decoration is badly damaged, probably during its use as a paving stone or step, but sufficient remains to indicate that both end-beasts had open jaws with a single upper tooth and protruding tongue similar to those on Face A. The visible forelegs appear to have three toes. As on Face A, the upper part of the stone was decorated by a curving run of knotwork. The lower decoration is now difficult to interpret but seems to have consisted of a central-stemmed bush scroll terminating at the top in two large leaf or fruit forms, one rounded, and the other oval in shape.


 


Face D

Face D appears to have a panel of knotwork towards the base of the stone.



The base is slightly bombé (curving or swelling outward), broadening from 12cm in depth at one end to 15cm in the middle before narrowing to 13cm at the other end. The curving ridgeline is flat and 11cm deep.

Hogbacks are a Viking-Age form of recumbent monument whose distribution through Cumbria and Yorkshire suggest an association with Hiberno-Norse groups in northern England. The three-dimensional end-beasts, curving ridgeline and bombé base are all characteristic of this class of sculpture, which dates to the first half of the tenth century. There is very little direct influence from Scandinavian art on the Viking Age sculpture from Bidston.

The dimensions of the Bidston carving are, however, not typical. The average size of English hogbacks is 142 cm and the vast majority are over 120cm long. Apart from Bidston, only three are less than 90cm in length: Kirby Stephen 8 (81cm), Ingleby Arncliff 3 (76cm) and Brompton 6 (76cm). Bidston is thus the smallest known hogback by some margin. The Bidston stone can never have acted as a grave-cover (though the evidence for that role for any hogback is decidedly thin). If it did have a funerary function, it could have been as a grave-marker, or perhaps as a headstone in a composite monument.

The Bidston sculpture’s plant ornament and linked triquetras are unique across the hogback corpus. It is one of the few such monuments to have decoration on the narrow ends. It is also the only hogback to add further low-relief carving to the bodies of those beasts, though an animal on a cross-shaft from Prestbury, Cheshire is similarly treated.

The scroll ornament and the linked triquetra could plausibly be interpreted as Christian symbols. Animals flanking and eating from a scroll represent a version of the theme of the Tree of Life, a symbol both of God’s bounty and generosity and of Christ’s sacrifice. It is more difficult to demonstrate that the decoration on the lower part of Face A carries significance beyond the purely ornamental, although it could be read as three linked triquetra – a motif which was used as a symbol of the Trinity in medieval art.

The main areas of hogback production were in northern Yorkshire, along the Eden valley and down the Cumbrian coastal plain as far as Gosforth. Further south and the west of the Pennines there were, in 1984, only three known sites with this form of carving: Heysham, Bolton le Sands (near the mouth of the River Lune) and West Kirby on the Wirral.

The general decorative organization of the Bidston carving reflects the group of hogbacks labelled by J.T. Lang as the ‘extended niche’ type. This is not a type known in Cumbria. Its development and concentration are in northern Yorkshire and particularly at Brompton, near Northallerton, where there are four examples, including a miniature hogback. In this group the ‘roof’ area of the building-shape stone is occupied, not by the usual tegulation (tiling), but by a run of horizontal knotwork set behind the heads of two substantial end-beasts whose backs slope inwards towards the base.


                                   Brompton hogback, Photo © Bob Embleton (cc-by-sa/2.0)

The sculpture is in private ownership and not available for public viewing.

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